Not every redesign needs to start from scratch, and some don't need any rework at all. Sometimes the best design is already there, just hidden by lots of unnecessary visual noise. I'm a big believer in not redesigning for the sake of it, and my recent work with the Truck Store in Oxfordshire is a perfect example of this.

Rapture has been Witney's independent music and film store since 2004, while their sister store, Truck, opened in Oxford in 2011.

The entrance to the Rapture shop, seen through the stone arches of the Woolgate Centre. I'm reflected in the window on the

Their plan was to simplify by renaming Rapture to Truck as well, a name that carries a lot of weight with its association with Oxfordshire's Truck Festival. To achieve this they approached to create a new unified brand for both physical stores, as well as their online shop. It was a great opportunity to be involved in a fun project for a shop that's very special to me.


The first phase was to audit their current brand usage. Collecting all examples from in-store bags to social media, it became clear to me they pretty much had everything they needed already.

A selection of examples gathered in the audit.


The Truck monster character is well known locally - everyone I spoke to immediately associates the shop with the Monster. There's even a Truck Monster suit that makes an appearance at Truck Festival:

A Truck employee wearing a large hairy monster suit, with white eyes and horns.
Truck Monster at Truck Festival. @Independent Oxford

It's a clear, impactful image that they own, but was being severely underused. It was incorporated into the Truck Oxford logo, but was lost amongst everything else going on:

So I decided to focus on that and discard the rest. I didn't make any changes to it, with the exception of an optimised version for smaller uses, such as the favicon. For this, I made the eyes larger to keep them visible.


The original Rapture logotype was based on Radiohead's The Bends (except using Arial Bold), while Truck used a custom 'handmade-looking' font made for its launch. It had plenty of character, but was a bit too rough - having the appearance of being vectorised from a bitmap image. It made sense to follow on from the Truck logotype, rather than Rapture's, but it needed some cleaning up. I removed some of the roughness and balanced the letters better, while retaining the handcut feel of it:

This then combined with the logomark to create a much more memorable and impactful logo:

The monster character can also be playful and flexible, such as in these genre markers I created for use in-store:


While Truck had existing brand fonts such as Knockout , a variety of free fonts were also being used. It was clear that they just needed a flexible brand font and then use it consistently everywhere.

A sample of Rapture and Trucks' previous output, showing the variety of typeface use.

I liked the space-saving practicality of Knockout Condensed, but there was something aesthetically that didn't fit right for me. It took a long time to find what I had as the right font in my head, but eventually I found it - Neue Plak, an update of Paul Renner's other classic typeface that isn't Futura. It has a great range of weights and widths, with nice elements such as the curve of the bold lowercase letter r.

I was particularly pleased that Truck agreed to purchase the whole family, which will stand them in good stead in the future.

One thing that did stick in my mind about their previous type usage was a handwritten sign at the Oxford store. I really liked the style of this as it helped reinforce the people element of Truck. Good legible handwriting fonts are notoriously hard to find - and I didn't feel my own take was quite up to the task. However, I found Finurlig, and used the italic version to get where I wanted. This is specced in the styleguide to be used very sparingly, but acts as a nice foil to Neue Plak:

Here's an example of how these are used together, on a recommendation sticker:


Their previous brand styleguide had some very odd dingy colours, but as the brand would be competing against multi-coloured album covers, a straight black and white approach would work best. This way it would harmonise with everything, and also echo the tradition of photocopied music ephemera like gig flyers and Nightshift, Oxfordshire's long standing free music magazine.

In contexts where the logo is used on it's own, there's flexibility to use most colours if need be (e.g button badges). The key part is not to reverse the monster colours, and and keep the eyes shining white:


The next part of the project was to combine their existing Oxford and Witney websites into one new site. My first suggestion to them was to purchase the more concise domain to replace, and We then moved all the email addresses to the new domain.

Their website is built on Wordpress/WooCommerce, and after much discussion, the decision was made to stay in this platform but to create a custom theme. Using the official 'Storefront' theme, I removed all CSS, and created my own. This gave me all the templates and functionality but zero styling so that I could start from scratch. It became a CSS Zen Garden exercise where I was styling someone else's markup.

As well as the custom styling, I also implemented flexible content fields with Advanced Custom Fields to allow them to customise the homepage with it's ever changing content.


A particularly thrilling part of the project came with having the new signage installed that I designed. Replacing the old silver grey Rapture fascia, the sign is now dark grey, with lit TRUCK logotype and monster eyes.

More to come

The transition from Rapture to TRUCK is ongoing, and I'm still involved in some parts of that process.

About us

From our studio in Oxfordshire we have worked for a wide variety of lovely clients. You may recognise our identity work on logos for Firefox, Mailchimp and Shopify, as well as emoticons for Skype. Read more about our services or contact us for help with your next project!